ARSNET https://arsnet.architecture.ui.ac.id/index.php/ojs <p>ARSNET is a publication platform dedicated to creative exploration in design disciplines, from architecture, interior, and other spatial design discourses. The journal is interested in design explorations that are theoretically engaged, informed by social, cultural and environmental contexts, or enabled by technological advancements. Authors are invited to submit manuscripts that address design exploration in the form of original research, project reviews, book reviews, as well as academic design project reflections.</p> <p>Scope of discipline: Architecture, Art and Design, Computational Design</p> <p><strong>Publication Frequency</strong><br />ARSNET is published twice a year in April and October. There might be special issues.</p> <p><strong>Publisher and Funding</strong><br />The journal is published by the Department of Architecture, Faculty of Engineering Universitas Indonesia, Indonesia with ISSN numbers <a href="https://issn.brin.go.id/terbit/detail/20210517460814813">2777-0702</a> (print) and <a href="https://issn.brin.go.id/terbit/detail/20210505471545356">2777-0710</a> (online).</p> en-US <p>Author(s) retain copyright of articles published in this journal, with first publication rights granted to <em>ARSNET. </em></p> <p>All journal content is licenced under a <a href="https://creativecommons.org/licenses/by-nc/4.0/">Creative Commons Attribution-NonCommercial 4.0 International License</a> that allows others to use the articles for non-commercial purposes with an acknowledgement of the work's authorship and initial publication in this journal.</p> <p><a href="http://creativecommons.org/licenses/by-nc/4.0/" rel="license"><img style="border-width: 0;" src="https://i.creativecommons.org/l/by-nc/4.0/88x31.png" alt="Creative Commons License" /></a></p> arsnet@ui.ac.id (Kristanti Dewi Paramita) arifrahman@ui.ac.id (Arif Rahman Wahid) Thu, 31 Oct 2024 13:05:20 +0000 OJS 3.3.0.5 http://blogs.law.harvard.edu/tech/rss 60 The digital preservation of the Padley Mill as both heritage and knowledge https://arsnet.architecture.ui.ac.id/index.php/ojs/article/view/116 <p class="p1"><span class="s1">Architecture is a form of tacit knowledge in which ideas can be learnt from the past, and that body of tacit knowledge can be recorded in order to give relevant guidance to today's productions. This methodological paper presents a timely reflection that seeks to document the digitisation of Padley Mill in the Grindleford Village of the U.K., which was the key design output and built heritage of the late British academic and architect Peter Blundell Jones. The paper starts with a brief review on the current developments on digital reality capture methods in architectural heritage studies, followed by the Padley Mill digital preservation case study via its three work stages utilising LiDAR data and photogrammetry data. It closes with a humanities echo after the historian-designer on the layering and storytelling of the historic environment. The distinction of this paper is it combines and enhances the digital visualisation and storytelling of endangered architectural heritage through 3D LiDAR scanning and digital photogrammetry, promoting further methodological debates in the digital preservation of architectural heritage. </span></p> Xiang Ren, Huriye Armağan Doğan Copyright (c) 2024 Xiang Ren, Huriye Armağan Doğan https://creativecommons.org/licenses/by-nc/4.0 https://arsnet.architecture.ui.ac.id/index.php/ojs/article/view/116 Thu, 31 Oct 2024 00:00:00 +0000 From words to worlds: Generative reconstruction of The Alchemist narratives https://arsnet.architecture.ui.ac.id/index.php/ojs/article/view/106 <p>This paper explores the creative translation of narratives into atmospheric qualities of space using artificial intelligence (AI). The study transforms the textual descriptions of events based on the notable works of Paulo Coelho's <em>The Alchemist</em> into generative architectural representations. Exploration of prompts in text-to-image generative technologies is still defined by the description of forms and context instead of based on events. The study argues that utilising stories of events as prompts creates possibilities for a more enriching and evocative visual of architecture. This study utilises the Microsoft Bing Image Generator DALL-E 3 to generate images based on prompts derived from key events of <em>The Alchemist</em>. Nine particular events of <em>The Alchemist</em> novel are transformed into images, which are further transformed into AI-generated prompts. The study follows by regenerating the prompts into another set of images.</p> <p>The resulting AI-generated images reveal the potential of AI in creating architectural spaces that embody the atmospheric qualities of <em>The Alchemist</em> narratives, with varying degrees of details and nuances of the narrative events. Through annotating the generated forms, the contrast of lights, and the materiality of the generated images, the study creatively reconstructs the atmospheric qualities of <em>The Alchemist</em> events. In doing so, the study blurs the lines between textual and spatial storytelling, empowering the craft of meaningful and impactful spaces through the power of narrative. This paper highlights the potential of AI not just as a tool for visualisation but also as a catalyst for innovative and creative exploration in the design field.</p> Franseno Pujianto Tan Copyright (c) 2024 Franseno Pujianto Tan https://creativecommons.org/licenses/by-nc/4.0 https://arsnet.architecture.ui.ac.id/index.php/ojs/article/view/106 Thu, 31 Oct 2024 00:00:00 +0000 The Consortium of Celestials: Cosmic objects equitable interactions https://arsnet.architecture.ui.ac.id/index.php/ojs/article/view/113 <p class="p1"><span class="s1">This speculative design study presents a provocative inquiry into the idea of an equitable society, addressed through the exploration of cosmic scale and celestial object interactions. The issues of injustice occurring in current society are influenced by the lack of access to resources and opportunities, where architecture also plays a part. Using a post-humanist approach, the study speculates on the scale of society, broadening the context of civilisation to develop an equitable society. The study creates a science narrative of a cosmic-scale civilisation as the basis of the architectural scheme between celestial objects in cosmic space that interacts in an equitable way. The narratives inform systems of architectural interactions that are designed to support an equitable life system, including communication, extraction, processing, and distribution of spatial and environmental resources. Five particular scenarios are outlined to demonstrate these interactions, from scenarios of resource exchange, climate calibration, and anticipation of destruction. This study demonstrates an important discussion on how design of an equitable society can be informed by the interactions between cosmic objects, systems, and resources. In doing so, this study introduces new narrative of architecture as a form of extraterrestrial built environment, expanding the current understanding of context and its environmental limitations.</span></p> Sekar Nabila Prajwalita Reka Pravyana, Yandi Andri Yatmo Copyright (c) 2024 Sekar Nabila Prajwalita Reka Pravyana, Yandi Andri Yatmo https://creativecommons.org/licenses/by-nc/4.0 https://arsnet.architecture.ui.ac.id/index.php/ojs/article/view/113 Thu, 31 Oct 2024 00:00:00 +0000 Arsitektur naratif Bajawa Flores berbasis sajak Su'i Uwi https://arsnet.architecture.ui.ac.id/index.php/ojs/article/view/101 <p class="p1"><span class="s1">Tulisan ini mengulas tentang penerapan narasi sajak<em> Su’i Uwi</em> dalam proses perancangan proyek akademik arsitektur yang berlokasi di Bajawa, Flores. Sajak<em> Su’i Uwi </em>merupakan narasi asal usul etnis Bajawa yang dinyanyikan dalam salah satu prosesi <em>Reba</em>, suatu festival tahunan etnis tersebut. Studi ini mengangkat proyek perancangan <em>resort</em> sebagai upaya mendukung program destinasi wisata prioritas yang berlokasi pada Kabupaten Ngada, terutama berbagai area perkampungan tradisional<span class="Apple-converted-space"> </span>yang masih belum banyak dikunjungi. Wisatawan yang akan memulai rute perjalanan dari destinasi Labuan Bajo ke Ende maupun arah sebaliknya akan melewati Kota Bajawa, Ngada tersebut, sehingga meningkatkan relevansi studi ini. Pemahaman terkait narasi sajak <em>Su’i Uwi</em> merupakan bagian dari upaya pengembangan kota yang tidak hanya mengejar peningkatan ekonomi daerah namun juga mempertimbangkan aspek kebudayaan lokal. Studi ini membangun pemahaman terkait narasi sajak <em>Su’i uwi </em>berdasarkan studi literatur, wawancara dengan <em>Mosalaki</em> [tetua] suku pemilik lahan lokasi perencanaan <em>resort</em> di Late, dan observasi daerah setempat sebagai landasan penerapan pendekatan naratif dalam perancangan. Identifikasi mekanisme arsitektur naratif terkait struktur, <em>framing</em>, dan <em>sequence</em> yang dibangun dari sajak <em>Su’i Uwi</em> menjadi bagian dari pengembangan berbagai aspek perancangan <em>resort</em> tersebut. Pemahaman akan pemanfaatan narasi sajak <em>Su’i Uwi</em> dalam proses desain menjadi bagian dari eksplorasi perancangan naratif berbasis aspek lokalitas di masyarakat.</span></p> <p class="p1"> </p> <p class="p1"><span class="s1">This paper examines the utilisation of the<em> Su’i Uwi</em> poetry as the basis of a narrative architectural exploration in Bajawa, Flores. The <em>Su’i Uwi</em> poetry is a narrative originated from the Bajawa ethnic group, which is sung during the <em>Reba</em> ceremonies, a form of annual festival of the area. This study develops the resort design project in support of the tourism destination program in the prioritised Ngada Regency, particularly in the traditional kampungs areas that have not been properly explored. This study is especially timely as travellers en route from Labuan Bajo to Ende, or vice versa, will pass through the town of Bajawa and require support from such resort facility. The utilisation of <em>Su’i Uwi</em> poetry is part of the development efforts that does not only pursue regional economic enhancement but also consider local aspects of culture. This study builds an understanding of the <em>Su’i Uwi</em><em> </em>narrative through literature reviews, interviews with <em>Mosalaki</em> [the elders] of the land-owning tribe in Late, and field observations as the foundation to explore a narrative approach in architectural design. Identifying the mechanism of narrative architecture related to structure, framing, and sequence derived from the <em>Su’i Uwi</em><em> </em>poetry expands the discussion of design based on the local culture of the community.</span></p> Maria Angela Rowa, Imaniar Sofia Asharhani, Abdullah Hibrawan Copyright (c) 2024 Maria Angela Rowa, Imaniar Sofia Asharhani, Abdullah Hibrawan https://creativecommons.org/licenses/by-nc/4.0 https://arsnet.architecture.ui.ac.id/index.php/ojs/article/view/101 Thu, 31 Oct 2024 00:00:00 +0000 Translating the narrative of tolerance in designing a museum environment https://arsnet.architecture.ui.ac.id/index.php/ojs/article/view/110 <p class="p1"><span class="s1">The study explores the design of a museum environment based on the narrative of 'tolerance.' Museums deliver in-depth and interactive messages through creating spatial experiences that provides information and engages visitor's emotions. This academic design study utilises the narrative architecture approach to compose and create holistic spatial flow that guide visitors through various sensory experiences. The design of the museum environment consists of five core spaces with different flows of sensorial narrative related to the experience of tolerance, named <em>Susila</em>, <em>Sahayanda</em>, <em>Sabah</em>, <em>Sadrah</em>, and <em>Segianya</em>. The sequence between spaces allows for a coherent and progressive narrative of tolerance, enabling visitors to feel a deep involvement from one space to another. Sensorially, manipulation and organisation of spatial scales bring different experiences of light, texture, sound, and visuals to create a comprehensive and memorable experience. The application of narrative architecture allows the museum environment to evolve, not only as a place to exhibit artefacts but also as a dynamic educational platform. It provides important information about the history of tolerance-related events and reflectively enriches how the visitors experience the space. Connections between the conveyed narrative of tolerance and the space create a vibrant experience of the overall museum environment.</span></p> Anggelia Yaufik, Adriyan Kusuma Copyright (c) 2024 Anggelia Yaufik, Adriyan Kusuma https://creativecommons.org/licenses/by-nc/4.0 https://arsnet.architecture.ui.ac.id/index.php/ojs/article/view/110 Thu, 31 Oct 2024 00:00:00 +0000 The other narratives of architecture https://arsnet.architecture.ui.ac.id/index.php/ojs/article/view/127 <p>The other narrative of architecture expands possibilities of architectural design methods that pay attention to other temporalities, realities, and subjects of architecture. The collection of articles in this ARSNET issue provides investigations that revisit how narratives exist as the basis of architectural experience and design methods. Technological advancements create tools, platforms, and living needs that enable different ways of revealing, producing, and speculating architectural narratives. Through this issue's investigation of the other narratives, alternative situations of architecture are reconstructed.</p> Kristanti Dewi Paramita Copyright (c) 2024 Kristanti Dewi Paramita https://creativecommons.org/licenses/by-nc/4.0 https://arsnet.architecture.ui.ac.id/index.php/ojs/article/view/127 Thu, 31 Oct 2024 00:00:00 +0000